Passive/Aggressive — Music Magazine
- Xenia Xamanek –making reality reverberate with potential
- MINU Festival 2024 –Expanding music between institutions and communities
- Roskilde Festival 2024 –An escape for anyone
- MINU: Festival for Expanded Music 2023
- Jura –“What do you rely on to let yourself think you have witnessed this beauty?” (interview)
- The Bottomless Anxiety of Holding on to Anything –The Lake’s Works for Radio 2023
- Quatuor Bozzini –The gentle ecstasy of extracting musical grammar
- Polychrome –making artistic processes into something lasting
- Exploring Containers, Concrete and the Corporeal Economy of Lockdown with Marcela Lucatelli
- Esther –A suite of beguiling ambient with a melancholy subtext of glitch
- Marcela Lucatelli –An Improvised Anthropology of Post-Industrial Life (Review)
- Kodwo Eshun, Mark Fisher and Beyoncé’s “Lemonade” — a Sonic Fiction of Capitalist Realism
- Pythia’s Journals –A monomedia festival for our isolation pods
- “Unfuck the World, You Stupid Girl” –If Grimes is the Villain What Does That Make Us?
- Messell –The complex beauty of our communicative failures (interview)
- “Sonisk krigsførelse” – En introduktion til Steve Goodmans vibrationelle ontology (Danish)
- Peter Voss-Knude –“Danish politics are the mother of this record”
- Alexander Holm –The Understated Sci-Fi of “GiVa1G”
- Kirstine Lindemann –Movement that carries an inner state
- Jacques Attali –An introduction to Noise: The Political Economy of Music
- Anyines –Record Labels in the Age of the Platform
- “Sonic Warfare” –An Introduction to Steve Goodman’s vibrational ontology
- Brad Mehldau –The Prophet is a Fool
- SAD PIANO –The First Sounds of “Final Ears”
- Xiu Xiu –the return of Experimental-Californian-post-art-noise-indie to Copenhagen
- The Caretaker –Everything finally slips away
- These New Puritans –Music critique as an art form and the end of the world as compositional imperative
- Collider –A debut that brings energy back to shoegaze
- Mark Fisher –Or how K-Punk intensifies the political possibilities of music
Seismograf
- “Oil, Opera and the history that haunts us”, Interview with Niels Rønsholdt, Seismograf, (2022)
- “Sublime ghosts and capricious categories”, essay, Seismograf, (2021)
Atlas Magasin (Danish)
- Manipulation som markedsførings-katalysator
- Neoliberal relativisme eller hvordan fransk filosofi forårsagede Brexit
Blacklisted Copenhagen — Art Magazine
- “THERE IS A LOT OF QUEERNESS IN NATURE” AN INTERVIEW WITH ESTER FLECKNER
- “THE PAST AND PRESENT BECOME VERY CLOSE IN THIS MOMENT BUT IN ANOTHER SHAPE” AN INTERVIEW WITH ANNE KRISTIN KRISTIANSEN
- “I REALLY THINK THE NOTION OF CONTENT IS KILLING EVERYDAY ART” AN INTERVIEW WITH DOOLEY MURPHY
- “I HOPE IT FORCES SOME TO REFLECT ON THE IMPOSSIBLE SITUATION OF THE DARK TIMES WE LIVE IN.” AN INTERVIEW WITH EVA KRAGH PETERSEN
- “I FEEL LIKE THIS ALBUM IS A SNAPSHOT OF A TIME LONG SINCE PASSED” AN INTERVIEW WITH SPIRAL VOID
- “THERE’S SOMETHING PROFANE IN THE HUMAN NOTION THAT THERE IS ANYONE WHO IS SACRED.” AN INTERVIEW WITH HELENA SOKOL
MaconHolt - Aesthetic Theory 